Artists

Work

Camberwell Flats by Night 1983
  • Camberwell Flats by Night 1983 Camberwell Flats by Night 1983
    Oil on canvas
    199 x 260 cm / 78½ x 102½ in
    AFG 330
  • After Thomas Jones 'Scene near Naples' 2005 After Thomas Jones 'Scene near Naples' 2005
    Mixed media
    51 x 63.5 cm / 20¼ x 25 in
    AFG 37841
  • Durrington Towers I 2005 Durrington Towers I 2005
    Oil and mixed media on canvas
    56 x 51 cm / 22¼ x 20¼ in
    AFG 39621
  • Study for the Wandsworth Road Estate II 2007 Study for the Wandsworth Road Estate II 2007
    Oil and mixed media on canvas
    44 x 48 cm / 17½ x 19 in
    AFG 42079
  • Breughel's Tower (Diptych) 2004 Breughel's Tower (Diptych) 2004
    Oil and mixed media on canvas
    269 x 228.5 cm each panel / 105¾ x 90 in each panel
    AFG 42080
  • Study for the Wandsworth Road Estate IV 2006 Study for the Wandsworth Road Estate IV 2006
    Oil and mixed media on canvas
    50 x 60 cm / 19¾ x 23¾ in
    AFG 42082
  • Durrington Towers I 2007 Durrington Towers I 2007
    Oil and mixed media on canvas
    269 x 229 cm each panel / 106 x 90¼ in each panel
    AFG 42600
  • Durrington Towers III 2007 Durrington Towers III 2007
    Oil and mixed media on canvas
    228.5 x 228.5 cm / 90 x 90 in
    AFG 42601
  • Matterhorn 2007Matterhorn 2007
    Oil and mixed media on canvas
    369.5 x 224 cm / 145½ x 88¼ in
    AFG 43540
  • No 19 1974No 19 1974
    Oil and mixed media on canvas
    193 x 243.5 cm / 76 x 96 in
    AFG 46390
 

Biography

For David Hepher, the dialogue between the ‘distance’ of the photographic image and the physical tactility of paint and brushstroke is crucial to the presence of his work. As an artist, he obsessively exploits the interplay between representation and realisation. By incorporating the real materials of architecture into his paintings, he seeks not merely to represent the tower blocks of South East London, but to take over their very substance. The temptation to read the picture plane, with its lucid geometry and fidelity to the line, as an exercise in abstraction, dissolves at the moment the painting’s swarming detail comes into focus. The subtle disorder within order that is the essence of Hepher’s paintings is perpetually at work to reveal the hidden lives behind the concrete screens.

David Hepher CV

 

London

82 Kingsland Road
London E2 8DP
T +44 (0)20 7920 7777

21 Cork Street
London W1S 3LZ
T +44 (0)20 7439 7766

New York

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New York NY 10011
T +(1)212 439 1700

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